このエントリは 10の12の部分 シリーズに 魔法の城

The Enchanted Castle

Chapter X

『魔法の城』第10章 対訳英語学習リーダーです。
重要語句が8つのカテゴリーに色分けされ、ルビ形式で日本語訳が確認できます。

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"If," said Kathleen, sitting disconsolate in her marble, "if I am really a statue come alive, I wonder you're not afraid of me."
「本当に生きた像なら、私が怖くないの?」キャスリーンは大理石の中で悲しく座って言いました。
"I've got the ring," said Mabel with decision. "Cheer up, dear! you will soon be better. Try not to think about it."
「指輪があるから。元気を出して。すぐよくなるわ。考えないようにして」とメイベル。
She spoke as you speak to a child that has cut its finger, or fallen down on the garden path,
指を切った子や、庭の道で転び、
and rises up with grazed knees to which gravel sticks intimately.
砂利のついたすり傷のひざで起き上がる子に話すようでした。
"I know," Kathleen absently answered.
「わかってる」と上の空で答えました。
"And I've been thinking," said Mabel brightly, "we might find out a lot about this magic place, if the other statues aren't too proud to talk to us."
「ほかの像が気取らず話してくれれば、この魔法の場所がずいぶんわかりそう」とメイベルは明るく言いました。
"They aren't," Kathleen assured her; "at least, Phœbus wasn't, he was most awfully polite and nice."
「気取ってないわ。少なくともポイボスは、とても丁寧で親切だった」とキャスリーン。
"Where is he?" Mabel asked.
「どこにいるの?」
"In the lake—he was," said Kathleen.
「湖。さっきは」
"Then let's go down there," said Mabel. "Oh, Cathy! it is jolly being your own proper thickness again."
「じゃあ行こう。キャシー、普通の太さに戻るってすてき!」
She jumped up, and the withered ferns and branches that had covered her long length and had been gathered closely upon her as she shrank to her proper size fell
跳び起きると、長い体を覆い、縮むにつれて集まった、しおれたシダや枝が、
as forest leaves do when sudden storms tear them. But the white Kathleen did not move.
嵐にむしられた森の葉のように落ちました。でも白いキャスリーンは動きませんでした。
The two sat on the grey moonlit grass with the quiet of the night all about them.
二人は月光の灰色の芝に座り、周りは夜の静けさでした。
The great park was still as a painted picture; only the splash of the fountains and the far-off whistle of the Western express broke the silence, which,
大公園は絵のように静止し、噴水の水音と遠い西部行き急行の汽笛だけが静寂を破り、同時に、
at the same time, they deepened.
その静寂を深めていました。
"What cheer, little sister!" said a voice behind them—a golden voice. They turned quick, startled heads, as birds, surprised, might turn.
「元気かい、小さな妹!」背後から黄金の声。二人は驚いた鳥のように素早く顔を向けました。
There in the moonlight stood Phœbus, dripping still from the lake, and smiling at them, very gentle, very friendly.
月光にポイボスが立ち、まだ湖の水を滴らせ、優しく親しげにほほえんでいました。
"Oh, it's you!" said Kathleen.
「ああ、あなた!」とキャスリーン。
"None other," said Phœbus cheerfully. "Who is your friend, the earth-child?"
「ほかならぬ私だ。友達の、地上の子は誰かな?」と明るく言いました。
"This is Mabel," said Kathleen.
「メイベルです」
Mabel got up and bowed, hesitated, and held out a hand.
メイベルは立ってお辞儀をし、ためらってから手を出しました。
"I am your slave, little lady," said Phœbus, enclosing it in marble fingers. "But I fail to understand how you can see us, and why you do not fear."
「お望みのままに、小さな淑女」と大理石の指で包みました。「でもなぜ私たちが見え、恐れないのかわからない」
Mabel held up the hand that wore the ring.
指輪をはめた手を上げました。
"Quite sufficient explanation," said Phœbus; "but since you have that, why retain your mottled earthy appearance? Become a statue, and swim with us in the lake."
「十分な説明だ。でも、それがあるのに、なぜ地上のまだらな姿でいる? 像になって、一緒に湖で泳ごう」
"I can't swim," said Mabel evasively.
「泳げません」とメイベルは逃げるように言いました。
"Nor yet me," said Kathleen.
「私も」とキャスリーン。
"You can," said Phœbus. "All statues that come to life are proficient in all athletic exercises.
「泳げるよ。生きた像は、あらゆる運動が得意なんだ。
And you, child of the dark eyes and hair like night, wish yourself a statue and join our revels."
そして黒い目、夜のような髪の子よ。像になるよう願って、私たちの宴に加わりなさい」
"I'd rather not, if you will excuse me," said Mabel cautiously. "You see ... this ring ...
「失礼ですが遠慮します」と用心しました。「この指輪は、
you wish for things, and you never know how long they're going to last.
願っても、いつまで続くかわからないんです。
It would be jolly and all that to be a statue now, but in the morning I should wish I hadn't."
今は楽しくても、朝には後悔するでしょう」
"Earth-folk often do, they say," mused Phœbus. "But, child, you seem ignorant of the powers of your ring. Wish exactly, and the ring will exactly perform.
「地上の者はよくそうすると聞く。だが君は指輪の力を知らないようだ。正確に願えば、正確に実行する。
If you give no limit of time, strange enchantments woven by Arithmos the outcast god of numbers will creep in and spoil the spell.
期限を言わなければ、追放された数の神アリトモスの奇妙な魔法が忍び込み、呪文を台なしにする。
Say thus: 'I wish that till the dawn I may be a statue of living marble, even as my child friend,
こう言いなさい。『夜明けまで、この友達の子と同じ、生きた大理石の像でありたい。
and that after that time I may be as before, Mabel of the dark eyes and night-coloured hair."
その後は、以前の、黒い目と夜色の髪のメイベルでありたい』」
"Oh, yes, do, it would be so jolly!" cried Kathleen. "Do, Mabel! And if we're both statues, shall we be afraid of the dinosaurus?"
「ええ、お願い! すてきよ、メイベル! 二人とも像なら、恐竜は怖くないですか?」とキャスリーン。
"In the world of living marble fear is not," said Phœbus. "Are we not brothers, we and the dinosaurus, brethren alike wrought of stone and life?"
「生きた大理石の世界に恐怖はない。私たちと恐竜は兄弟ではないか。石と命で作られた仲間だ」
"And could I swim if I did?"
「そうしたら泳げますか?」
"Swim, and float, and dive—and with the ladies of Olympus spread the nightly feast, eat of the food of the gods, drink their cup,
「泳ぎ、浮き、潜り、オリンポスの婦人たちと夜の宴を整え、神々の食べ物を食べ、杯を飲み、
listen to the song that is undying, and catch the laughter of immortal lips."
不滅の歌を聞き、不死の唇の笑いを受けられる」
"A feast!" said Kathleen. "Oh, Mabel, do! You would if you were as hungry as I am."
「宴! メイベル、お願い! 私ほど空腹なら、きっとするわ」とキャスリーン。
"But it won't be real food," urged Mabel.
「でも本物の食べ物じゃないでしょう」とメイベル。
"It will be real to you, as to us," said Phœbus; "there is no other realness even in your many-coloured world."
「私たち同様、君にも本物になる。君の多彩な世界にも、それ以外の現実はない」とポイボス。
Still Mabel hesitated. Then she looked at Kathleen's legs and suddenly said:—
まだためらいましたが、キャスリーンの脚を見て、突然言いました。
"Very well, I will. But first I'll take off my shoes and stockings. Marble boots look simply awful—especially the laces. And a marble, stocking that's coming down—and mine do!"
「いいわ。でも先に靴と靴下を脱ぐ。大理石の靴はひどい、特にひもが。ずり落ちる靴下も。私のは落ちるから!」
She had pulled off shoes and stockings and pinafore.
靴、靴下、エプロンを脱ぎました。
"Mabel has the sense of beauty," said Phœbus approvingly. "Speak the spell, child, and I will lead you to the ladies of Olympus."
「美を感じる心があるね。呪文を唱えなさい。婦人たちへ案内しよう」とポイボスは認めました。
Mabel, trembling a little, spoke it, and there were two little live statues in the moonlit glade. Tall Phœbus took a hand of each.
少し震えながら唱えると、月光の空き地に小さな生きた像が二体できました。背の高いポイボスが二人の手をとりました。
"Come—run!" he cried. And they ran.
「さあ、走ろう!」そして走りました。
"Oh—it is jolly!" Mabel panted. "Look at my white feet in the grass! I thought it would feel stiff to be a statue, but it doesn't."
「すてき!」メイベルはあえぎました。「草の中の白い足を見て! 像ならこわばると思ったけど、違うわ」
"There is no stiffness about the immortals," laughed the Sun-god. "For to-night you are one of us."
「不死の者にこわばりはない。今夜、君は私たちの一人だ」と太陽神は笑いました。
And with that they ran down the slope to the lake.
坂を湖へ駆け下りました。
"Jump!" he cried, and they jumped, and the water splashed up round three white, gleaming shapes.
「跳べ!」と叫び、跳ぶと、輝く三つの白い姿の周りに水が上がりました。
"Oh! I can swim!" breathed Kathleen.
「ああ、泳げる!」キャスリーンは息をつきました。
"So can I," said Mabel.
「私も」とメイベル。
"Of course you can," said Phœbus. "Now three times round the lake, and then make for the island."
「もちろん。湖を三周して、島へ向かおう」とポイボス。
Side by side the three swam, Phœbus swimming gently to keep pace with the children.
三人は並んで泳ぎ、彼は子供に合わせ、ゆっくり泳ぎました。
Their marble clothes did not seem to interfere at all with their swimming,
大理石の服は少しも泳ぎを妨げませんでした。
as your clothes would if you suddenly jumped into the basin of the Trafalgar Square fountains and tried to swim there.
トラファルガー広場の噴水に急に飛び込んで泳げば、あなたの服は邪魔になるでしょうが。
And they swam most beautifully, with that perfect ease and absence of effort or tiredness which you must have noticed about your own swimming—in dreams.
二人は美しく泳ぎました。夢の中で泳ぐときのように、完全に楽で、努力も疲れもありませんでした。
And it was the most lovely place to swim in;
泳ぐには最高に美しい場所でした。
the water-lilies, whose long, snaky stalks are so inconvenient to ordinary swimmers, did not in the least interfere with the movements of marble arms and legs.
普通の泳ぎ手には厄介な、長い蛇のような茎のスイレンも、大理石の手足を全く妨げませんでした。
The moon was high in the clear sky-dome. The weeping willows, cypresses, temples, terraces, banks of trees and shrubs, and the wonderful old house,
月は澄んだ空の丸屋根に高くあり、しだれ柳、糸杉、神殿、段々、木々や茂みの列、すばらしい古い館が、
all added to the romantic charm of the scene.
景色のロマンチックな魅力を増していました。
"This is the nicest thing the ring has brought us yet," said Mabel, through a languid but perfect side-stroke.
「今まで指輪がくれた中で一番すてき」と、ゆったり、完璧な横泳ぎでメイベルは言いました。
"I thought you'd enjoy it," said Phœbus kindly; "now once more round, and then the island."
「楽しむと思ったよ。もう一周したら島へ」と優しく言いました。
They landed on the island amid a fringe of rushes, yarrow, willow-herb, loose-strife, and a few late, scented, powdery, creamy heads of meadow-sweet.
イグサ、ノコギリソウ、ヤナギラン、ミソハギ、遅咲きの、香る粉っぽいクリーム色のシモツケソウの縁から、島へ上がりました。
The island was bigger than it looked from the bank, and it seemed covered with trees and shrubs.
岸から見るより大きく、木や茂みに覆われているようでした。
But when, Phœbus leading the way, they went into the shadow of these, they perceived that beyond the trees lay a light,
ポイボスに続いて影に入ると、木々の先に光があり、
much nearer to them than the other side of the island could possibly be.
島の反対岸であるには、あまりに近いとわかりました。
And almost at once they were through the belt of trees, and could see where the light came from.
ほとんどすぐに木の帯を抜け、光の出所が見えました。
The trees they had just passed among made a dark circle round a big cleared space, standing up thick and dark, like a crowd round a football field,
通った木々は大きな空き地を囲み、暗く密集して立っていました。フットボール場の周りの群衆みたいだと、
as Kathleen remarked.
キャスリーンは言いました。
First came a wide, smooth ring of lawn, then marble steps going down to a round pool, where there were no water-lilies,
まず広く滑らかな芝の輪、その先に丸い池へ下る大理石の階段。スイレンはなく、
only gold and silver fish that darted here and there like flashes of quicksilver and dark flames.
金銀の魚だけが、水銀の閃光や暗い炎のようにあちこち走っていました。
And the enclosed space of water and marble and grass was lighted with a clear, white, radiant light, seven times stronger than the whitest moonlight,
水、大理石、芝に囲まれた空間は、最も白い月光の七倍強い、澄んだ白い光に照らされ、
and in the still waters of the pool seven moons lay reflected.
静かな水に七つの月が映っていました。
One could see that they were only reflections by the way their shape broke and changed as the gold and silver fish rippled the water with moving fin and tail
魚がひれや舵となる尾を動かして波紋を作るたび、形が崩れ、変わるので、
that steered.
ただの映りだとわかりました。
The girls looked up at the sky, almost expecting to see seven moons there. But no, the old moon shone alone, as she had always shone on them.
少女たちは七つの月を期待するように空を見ました。でも、昔ながらの月が、いつものように一つで輝いていました。
"There are seven moons," said Mabel blankly, and pointed, which is not manners.
「七つの月がある」とメイベルは呆然と、無作法にも指さしました。
"Of course," said Phœbus kindly; "everything in our world is seven times as much so as in yours."
「当然だ。こちらの世界は、すべて君たちの世界の七倍なんだ」と優しく言いました。
"But there aren't seven of you," said Mabel.
「でも、あなたは七人いないわ」とメイベル。
"No, but I am seven times as much," said the Sun God. "You see, there's numbers, and there's quantity, to say nothing of quality. You see that, I'm sure."
「いないが、私は七倍なんだ。質はともかく、数と量があるだろう。わかるね」と太陽神。
"Not quite," said Kathleen.
「よくは」とキャスリーン。
"Explanations always weary me," Phœbus interrupted. "Shall we join the ladies?"
「説明はいつも疲れる。婦人たちに加わろうか」とさえぎりました。
On the further side of the pool was a large group, so white, that it seemed to make a great white hole in the trees.
池の向こうに大きな一団がいました。白すぎて、木々に大きな白い穴を開けたようでした。
Some twenty or thirty figures there were in the group—all statues and all alive.
二十か三十の姿で、すべて像、すべて生きていました。
Some were dipping their white feet among the gold and silver fish, and sending ripples across the faces of the seven moons.
金銀の魚の間に白い足を浸し、七つの月の顔に波紋を送る者、
Some were pelting each other with roses—roses so sweet that the girls could smell them even across the pool.
バラを投げ合う者。甘い香りは、池の向こうの少女たちにも届きました。
Others were holding hands and dancing in a ring, and two were sitting on the steps playing cat's-cradle—which is a very ancient game indeed—with a thread of white marble.
手をつなぎ輪で踊る者もいて、階段では二人が白い大理石の糸で、非常に古い遊びのあやとりをしていました。
As the new-comers advanced a shout of greeting and gay laughter went up.
近づくと、歓迎の叫びと陽気な笑いが上がりました。
"Late again, Phœbus!" some one called out. And another: "Did one of your horses cast a shoe?" And yet another called out something about laurels.
「また遅れたな、ポイボス!」別の声は「馬の蹄鉄が外れたか?」、さらに月桂樹について叫ぶ声もありました。
"I bring two guests," said Phœbus, and instantly the statues crowded round, stroking the girls' hair, patting their cheeks, and calling them the prettiest love-names.
「客を二人連れてきた」すると像たちは集まり、髪をなで、頬に触れ、最も愛らしい呼び名で呼びました。
"Are the wreaths ready, Hebe?" the tallest and most splendid of the ladies called out. "Make two more!"
「花冠はできた、ヘベ? 二つ追加して!」最も背が高く華やかな婦人が呼びました。
And almost directly Hebe came down the steps, her round arms hung thick with rose-wreaths. There was one for each marble head.
すぐヘベが階段を下り、丸い腕にバラの冠をたくさんかけていました。大理石の頭一つに一つです。
Every one now looked seven times more beautiful than before, which, in the case of the gods and goddesses, is saying a good deal.
皆が前より七倍美しくなりました。神や女神には、それは大変なことです。
The children remembered how at the raspberry vinegar feast Mademoiselle had said that gods and goddesses always wore wreaths for meals.
ラズベリー酢の宴で、神々は食事に必ず花冠をかぶると、先生が言ったのを思い出しました。
Hebe herself arranged the roses on the girls' heads—and Aphrodite Urania, the dearest lady in the world, with a voice like mother's at those moments when you love her most,
ヘベが少女の頭にバラを整えました。最も愛するときのお母さんのような声を持つ、世で最もすてきな婦人、アフロディーテ・ウラニアが、
took them by the hands and said:—
手をとって言いました。
"Come, we must get the feast ready. Eros—Psyche—Hebe—Ganymede—all you young people can arrange the fruit."
「さあ、宴の支度よ。エロス、プシュケー、ヘベ、ガニュメデス、若いみんなで果物を整えて」
"I don't see any fruit," said Kathleen, as four slender forms disengaged themselves from the white crowd and came toward them.
四つの細い姿が白い群れを離れて近づくと、「果物は見えないわ」とキャスリーン。
"You will though," said Eros, a really nice boy, as the girls instantly agreed; "you've only got to pick it."
「見えるよ。摘むだけさ」とエロス。本当にいい少年だと、少女たちはすぐ同意しました。
"Like this," said Psyche, lifting her marble arms to a willow branch. She reached out her hand to the children—it held a ripe pomegranate.
「こうよ」とプシュケーは腕を柳の枝へ伸ばしました。差し出す手には、熟したザクロがありました。
"I see," said Mabel. "You just——" She laid her fingers to the willow branch and the firm softness of a big peach was within them.
「わかった。ただ――」メイベルが枝に指を当てると、大きな桃の張りある柔らかさが手にありました。
"Yes, just that," laughed Psyche, who was a darling, as any one could see.
「ええ、それだけ」と、誰にもわかる愛らしいプシュケーは笑いました。
After this Hebe gathered a few silver baskets from a convenient alder, and the four picked fruit industriously.
ヘベが近くのハンノキから銀の籠を摘み、四人は熱心に果物を摘みました。
Meanwhile the elder statues were busy plucking golden goblets and jugs and dishes from the branches of ash-trees and young oaks and filling them with everything nice to eat
その間、年長の像たちはトネリコや若いカシから金の杯、壺、皿を摘み、望める限りのおいしい食べ物と、
and drink that any one could possibly want, and these were spread on the steps. It was a celestial picnic. Then everyone sat or lay down and the feast began.
飲み物を満たし、階段に並べました。天上のピクニックです。皆が座るか横になり、宴が始まりました。
And oh! the taste of the food served on those dishes, the sweet wonder of the drink that melted from those gold cups on the white lips of the company!
ああ、皿の食べ物の味! 金の杯から白い唇に溶ける飲み物の甘い不思議!
And the fruit—there is no fruit like it grown on earth, just as there is no laughter like the laughter of those lips,
あの果物は地上では育ちません。あの唇の笑いに似た笑いも、
no songs like the songs that stirred the silence of that night of wonder.
不思議な夜の静けさを揺らす歌に似た歌もありません。
"Oh!" cried Kathleen, and through her fingers the juice of her third peach fell like tears on the marble steps. "I do wish the boys were here!"
「ああ、男の子たちもここにいたら!」三個目の桃の汁がキャスリーンの指を伝い、涙のように階段へ落ちました。
"I do wonder what they're doing," said Mabel.
「何をしてるかしら」とメイベル。
"At this moment," said Hermes, who had just made a wide ring of flight, as a pigeon does,
ハトのように大きな輪を描いて飛び、戻ったヘルメスが言いました。
and come back into the circle—"at this moment they are wandering desolately near the home of the dinosaurus, having escaped from their home by a window, in search of you.
「今は窓から家を抜け出し、君たちを探して、恐竜の家の近くを寂しくさまよっている。
They fear that you have perished, and they would weep if they did not know that tears do not become a man, however youthful."
死んだのではと恐れ、どれほど若くても男に涙は似合わないと知らなければ、泣くだろう」
Kathleen stood up and brushed the crumbs of ambrosia from her marble lap.
キャスリーンは立ち、大理石のひざから神の食べ物のくずを払いました。
"Thank you all very much," she said. "It was very kind of you to have us, and we've enjoyed ourselves very much, but I think we ought to go now,
「皆さんありがとう。招いてくださって、とても親切でした。十分楽しみましたが、もう帰ったほうがいいと、
please."
思います」
"If it is anxiety about your brothers," said Phœbus obligingly, "it is the easiest thing in the world for them to join you. Lend me your ring a moment."
「兄弟が心配なら、ここへ呼ぶのは簡単だ。少し指輪を貸しなさい」とポイボス。
He took it from Kathleen's half-reluctant hand, dipped it in the reflection of one of the seven moons, and gave it back. She clutched it.
半ばためらう手から取り、七つの月の映りの一つに浸して返しました。彼女は握りました。
"Now," said the Sun-god, "wish for them that which Mabel wished for herself. Say——"
「メイベルが自分に願ったことを、兄弟に願いなさい。こう――」
"I know," Kathleen interrupted. "I wish that the boys may be statues of living marble like Mabel and me till dawn, and afterwards be like they are now."
「わかります」とさえぎりました。「二人が夜明けまで、私たちと同じ生きた大理石の像で、その後は今の姿に戻りますように」
"If you hadn't interrupted," said Phœbus—"but there, we can't expect old heads on shoulders of young marble. You should have wished them here—and—but no matter.
「さえぎらなければ――まあ、若い大理石の肩に老いた頭は期待できない。ここに来るよう願うべきだったが、まあいい。
Hermes, old chap, cut across and fetch them, and explain things as you come."
ヘルメス、ひと走り迎えに行って、道中で説明してくれ」
He dipped the ring again in one of the reflected moons before he gave it back to Kathleen.
また映る月に指輪を浸して、返しました。
"There," he said, "now it's washed clean ready for the next magic."
「これで洗い清められ、次の魔法の用意ができた」
"It is not our custom to question guests," said Hera the queen, turning her great eyes on the children;
「客に問いただす習慣はありません」と女王ヘラが大きな目を子供たちへ向け、
"but that ring excites, I am sure, the interest of us all."
「でも、あの指輪には皆が興味を持つでしょう」と言いました。
"It is the ring," said Phœbus.
「例の指輪です」とポイボス。
"That, of course," said Hera; "but if it were not inhospitable to ask questions I should ask, How came it into the hands of these earth-children?"
「もちろん。でも失礼でなければ、どう地上の子の手に渡ったか尋ねたいところです」
"That," said Phœbus, "is a long tale. After the feast the story, and after the story the song."
「長い話です。宴の後に物語、物語の後に歌です」とポイボス。
Hermes seemed to have "explained everything" quite fully; for when Gerald and Jimmy in marble whiteness arrived, each clinging to one of the god's winged feet,
ヘルメスは十分「すべて説明」したようでした。大理石の白さの兄弟は、それぞれ翼の足につかまり、
and so borne through the air, they were certainly quite at ease.
空を運ばれて着いても、すっかり落ち着いていました。
They made their best bows to the goddesses and took their places as unembarrassed as though they had had Olympian suppers every night of their lives.
最上のお辞儀を女神たちにし、毎晩オリンポスの夕食を食べてきたように、気後れせず席につきました。
Hebe had woven wreaths of roses ready for them, and as Kathleen watched them eating and drinking, perfectly at home in their marble,
ヘベはバラの冠を編んでいました。二人が大理石にくつろぎ、食べ、飲むのを見て、キャスリーンは、
she was very glad that amid the welling springs of immortal peach-juice she had not forgotten her brothers.
不死の桃の汁が湧く中でも、兄弟を忘れなくて本当によかったと思いました。
"And now," said Hera, when the boys had been supplied with everything they could possibly desire, and more than they could eat—"now for the story."
少年たちが望めるすべて、食べきれないほど与えられると、ヘラは「さあ、物語を」と言いました。
"Yes," said Mabel intensely; and Kathleen said, "Oh yes; now for the story. How splendid!"
「ええ」とメイベルは熱を込め、キャスリーンも「さあ、お話。すばらしいわ!」と言いました。
"The story," said Phœbus unexpectedly, "will be told by our guests."
「語るのは客人たちです」とポイボスは思いがけず言いました。
"Oh no!" said Kathleen, shrinking.
「無理です!」とキャスリーンは縮こまりました。
"The lads, maybe, are bolder," said Zeus the king, taking off his rose-wreath, which was a little tight, and rubbing his compressed ears.
「少年たちはもっと勇敢かな」と王ゼウスはきつい冠を取り、押された耳をこすりました。
"I really can't," said Gerald; "besides, I don't know any stories."
「とても無理です。それに話を知りません」とジェラルド。
"Nor yet me," said Jimmy.
「僕も」とジミー。
"It's the story of how we got the ring that they want," said Mabel in a hurry. "I'll tell it if you like.
「指輪を手に入れた話が聞きたいのよ。よければ私が」とメイベルは急いで言いました。
Once upon a time there was a little girl called Mabel," she added yet more hastily, and went on with the tale—all the tale of the enchanted castle,
「昔、メイベルという少女がいました」さらに急いで始め、魔法の城の全物語を続けました。
or almost all, that you have read in these pages.
この本であなたが読んだ、ほとんど全部です。
The marble Olympians listened enchanted—almost as enchanted as the castle itself, and the soft moonlit moments fell past like pearls dropping into a deep pool.
神々は城そのものほど魅了されました。柔らかな月光の時は、深い池に落ちる真珠のように過ぎました。
"And so," Mabel ended abruptly, "Kathleen wished for the boys and the Lord Hermes fetched them and here we all are."
「そしてキャスリーンが二人を願い、ヘルメスさまが連れてきて、今は皆ここにいます」と突然終えました。
A burst of interested comment and question blossomed out round the end of the story, suddenly broken off short by Mabel.
急に切られた話の周りに、興味ある感想や質問が花のように開きました。
"But," said she, brushing it aside, as it grew thinner, "now we want you to tell us."
薄まると、メイベルは払いのけました。「今度はそちらが教えてください」
"To tell you——?"
「教えるとは――?」
"How you come to be alive, and how you know about the ring—and everything you do know."
「どう生きて、指輪のことを知っているのか。知ってる全部を」
"Everything I know?" Phœbus laughed—it was to him that she had spoken—and not his lips only but all the white lips curled in laughter.
「知ってる全部?」話しかけられたポイボスは笑い、ほかの白い唇も笑いました。
"The span of your life, my earth-child, would not contain the words I should speak, to tell you all I know."
「地上の子よ、私の知るすべてを話す言葉は、君の一生にも収まらないよ」
"Well, about the ring anyhow, and how you come alive," said Gerald; "you see, it's very puzzling to us."
「せめて指輪と、生きる理由を。僕らには、ひどく不思議なんです」とジェラルド。
"Tell them, Phœbus," said the dearest lady in the world; "don't tease the children."
「話して、ポイボス。子供をからかわないで」と最もすてきな婦人。
So Phœbus, leaning back against a heap of leopard-skins that Dionysus had lavishly plucked from a spruce fir, told.
ディオニュソスがトウヒから惜しげなく摘んだヒョウの毛皮に寄りかかり、話しました。
"All statues," he said, "can come alive when the moon shines, if they so choose. But statues that are placed in ugly cities do not choose.
「像は望めば、月の輝くとき生きられる。でも醜い都会の像は、そう望まない。
Why should they weary themselves with the contemplation of the hideous?"
醜いものを眺めて、なぜ疲れなければならない?」
"Quite so," said Gerald politely, to fill the pause.
「そのとおりです」とジェラルドは間を埋め、丁寧に言いました。
"In your beautiful temples," the Sun-god went on, "the images of your priests and of your warriors who lie cross-legged on their tombs come alive
「君たちの美しい聖堂では、墓で脚を交差して横たわる聖職者や戦士の像が生き、
and walk in their marble about their temples, and through the woods and fields. But only on one night in all the year can any see them.
大理石で聖堂や森や野を歩く。でも見えるのは、一年に一夜だけだ。
You have beheld us because you held the ring, and are of one brotherhood with us in your marble, but on that one night all may behold us."
指輪を持ち、大理石で我々の仲間になったから君たちには見えたが、その一夜は誰もが見られる」
"And when is that?" Gerald asked, again polite, in a pause.
「いつですか?」ジェラルドはまた間に、丁寧に尋ねました。
"At the festival of the harvest," said Phœbus. "On that night as the moon rises it strikes one beam of perfect light on to the altar in certain temples.
「収穫の祭りだ。その夜、昇る月が、ある神殿の祭壇へ完全な光を一筋投げる」とポイボス。
One of these temples is in Hellas, buried under the fall of a mountain which Zeus, being angry, hurled down upon it.
「一つはヘラスにあり、怒ったゼウスが投げ落とした山の下に埋まっている。
One is in this land; it is in this great garden."
もう一つはこの国、この大きな庭にある」
"Then," said Gerald, much interested, "if we were to come up to that temple on that night, we could see you, even without being statues or having the ring?"
「その夜、来れば、像でなくても指輪がなくても見えるんですね?」ジェラルドは強く興味を持ちました。
"Even so," said Phœbus. "More, any question asked by a mortal we are on that night bound to answer."
「そのとおり。さらに、その夜は人間からのどんな質問にも答えねばならない」
"And the night is—when?"
「その夜は、いつ?」
"Ah!" said Phœbus, and laughed. "Wouldn't you like to know!"
「ああ、知りたいだろうね!」と笑いました。
Then the great marble King of the Gods yawned, stroked his long beard, and said: "Enough of stories, Phœbus. Tune your lyre."
神々の大理石の大王はあくびし、長いひげをなでました。「物語はもうよい。ポイボス、竪琴を整えよ」
"But the ring," said Mabel in a whisper, as the Sun-god tuned the white strings of a sort of marble harp
太陽神が足元の大理石のハープのような楽器の白い弦を調えると、メイベルは小声で「でも指輪は、
that lay at his feet—"about how you know all about the ring?"
どうして全部知っているんですか?」と言いました。
"Presently," the Sun-god whispered back. "Zeus must be obeyed; but ask me again before dawn, and I will tell you all I know of it."
「後で。ゼウスには従わなくては。夜明け前に尋ねれば、知るすべてを話そう」と小声で返しました。
Mabel drew back, and leaned against the comfortable knees of one Demeter—Kathleen and Psyche sat holding hands.
メイベルは下がり、デメテルの楽なひざへ寄りかかりました。キャスリーンとプシュケーは手をつないで座りました。
Gerald and Jimmy lay at full length, chins on elbows, gazing at the Sun-god;
ジェラルドとジミーは伸びて寝そべり、ひじにあごをのせ、太陽神を見つめました。
and even as he held the lyre, before ever his fingers began to sweep the strings, the spirit of music hung in the air, enchanting, enslaving,
竪琴を持っただけで、指が弦を掃く前から音楽の精が空気を満たし、魅了し、とりこにし、
silencing all thought but the thought of itself, all desire but the desire to listen to it.
音楽以外の考え、聞きたいという以外の望みを、すべて黙らせました。
Then Phœbus struck the strings and softly plucked melody from them, and all the beautiful dreams of all the world came fluttering close with wings like doves' wings;
弦を鳴らし、柔らかな旋律を摘むと、世界の美しい夢が、ハトのような翼で、すべて近くへ舞い寄りました。
and all the lovely thoughts that sometimes hover near, but not so near that you can catch them,
ときどき近くに漂っても、捕らえるほど近くない、美しい考えのすべてが、
now came home as to their nests in the hearts of those who listened.
聞く人の心の巣へ帰るように戻りました。
And those who listened forgot time and space, and how to be sad, and how to be naughty,
聞く者は時と空間、悲しみ方、いたずらの仕方を忘れ、
and it seemed that the whole world lay like a magic apple in the hand of each listener, and that the whole world was good and beautiful.
世界全部が魔法のリンゴのように自分の手にあり、すべてが善良で美しいと思えました。
And then, suddenly, the spell was shattered. Phœbus struck a broken chord, followed by an instant of silence; then he sprang up, crying, "The dawn! the dawn!
突然、魔法が砕けました。不協和音、一瞬の静寂、そしてポイボスは立って叫びました。「夜明けだ!
To your pedestals, O gods!"
神々よ、台座へ!」
In an instant the whole crowd of beautiful marble people had leaped to its feet, had rushed through the belt of wood that cracked and rustled as they went,
美しい大理石の人々は一斉に跳び起き、音を立てて揺れる林の帯を駆け抜けました。
and the children heard them splash in the water beyond.
子供たちは、その先で水に飛び込む音を聞きました。
They heard, too, the gurgling breathing of a great beast, and knew that the dinosaurus, too, was returning to his own place.
大きな獣のごぼごぼした息も聞こえ、恐竜も帰るとわかりました。
Only Hermes had time, since one flies more swiftly than one swims, to hover above them for one moment, and to whisper with a mischievous laugh:—
飛ぶほうが泳ぐより速いため、ヘルメスだけは一瞬上に留まり、いたずらに笑ってささやく暇がありました。
"In fourteen days from now, at the Temple of Strange Stones."
「今日から十四日後、奇妙な石の神殿で」
"What's the secret of the ring?" gasped Mabel.
「指輪の秘密は?」メイベルは息を切らしました。
"The ring is the heart of the magic," said Hermes. "Ask at the moonrise on the fourteenth day, and you shall know all."
「指輪は魔法の心臓だ。十四日目、月の出に尋ねれば、すべてわかる」とヘルメス。
With that he waved the snowy caduceus and rose in the air supported by his winged feet.
雪のように白いカドゥケウスの杖を振り、翼の足に支えられて昇りました。
And as he went the seven reflected moons died out and a chill wind began to blow, a grey light grew and grew, the birds stirred and twittered,
七つの月の映りが消え、冷たい風が吹き、灰色の光が増し、鳥が動き、さえずりました。
and the marble slipped away from the children like a skin that shrivels in fire, and they were statues no more,
大理石は火で縮む皮のように子供たちから抜け落ち、もう像ではなく、
but flesh and blood children as they used to be, standing knee-deep in brambles and long coarse grass. There was no smooth lawn, no marble steps, no seven-mooned fish-pond.
元の血肉の子供で、ひざまでイバラと粗い草に埋まっていました。滑らかな芝も大理石の階段も七つの月の池もありません。
The dew lay thick on the grass and the brambles, and it was very cold.
草とイバラに露が厚く、とても寒くなりました。
"We ought to have gone with them," said Mabel with chattering teeth. "We can't swim now we're not marble. And I suppose this is the island?"
「一緒に行くべきだった。大理石じゃなければ泳げない。ここは島でしょう?」メイベルは歯を鳴らしました。
It was—and they couldn't swim.
島でした。そして泳げませんでした。
They knew it. One always knows those sort of things somehow without trying. For instance, you know perfectly that you can't fly.
わかっていました。こういうことは試さずともわかります。例えば、自分が飛べないと、あなたはよく知っています。
There are some things that there is no mistake about.
間違いようのないこともあります。
The dawn grew brighter and the outlook more black every moment.
夜明けはますます明るく、見通しはますます暗くなりました。
"There isn't a boat, I suppose?" Jimmy asked.
「舟はないんだろう?」とジミー。
"No," said Mabel, "not on this side of the lake; there's one in the boat-house, of course—if you could swim there."
「こちら側にはない。舟小屋にはあるけど、泳いで行ければね」とメイベル。
"You know I can't," said Jimmy.
「泳げないのは知ってるだろう」とジミー。
"Can't any one think of anything?" Gerald asked, shivering.
「何か思いつかない?」ジェラルドは震えました。
"When they find we've disappeared they'll drag all the water for miles round," said Jimmy hopefully, "in case we've fallen in and sunk to the bottom.
「不在に気づけば、落ちて沈んだと思って、何マイルもの水をさらうよ」とジミーは希望を込めました。
When they come to drag this we can yell and be rescued."
「ここへ来たら、叫んで助けてもらえる」
"Yes, dear, that will be nice," was Gerald's bitter comment.
「そう、すてきだね」とジェラルドは苦く言いました。
"Don't be so disagreeable," said Mabel with a tone so strangely cheerful that the rest stared at her in amazement.
「そんな嫌な言い方しないで」妙に明るいメイベルに、皆は驚きました。
"The ring," she said. "Of course we've only got to wish ourselves home with it. Phœbus washed it in the moon ready for the next wish."
「指輪よ。家へ願えばいい。ポイボスが月で洗って、次の願いに備えたわ」
"You didn't tell us about that," said Gerald in accents of perfect good temper. "Never mind. Where is the ring?"
「それは聞いてない。でもいい。指輪は?」ジェラルドはすっかり機嫌よく言いました。
"You had it," Mabel reminded Kathleen.
「あなたが持ってた」とメイベルはキャスリーンに言いました。
"I know I had," said that child in stricken tones, "but I gave it to Psyche to look at—and—and she's got it on her finger!"
「そう。でもプシュケーに見せるため渡して――あの子の指にはまってる!」打ちのめされた声でした。
Every one tried not to be angry with Kathleen. All partly succeeded.
全員、怒らないよう努めました。みんな一部は成功しました。
"If we ever get off this beastly island," said Gerald, "I suppose you can find Psyche's statue and get it off again?"
「このいやな島を出たら、像を探して取り返せるだろう?」とジェラルド。
"No I can't," Mabel moaned. "I don't know where the statue is. I've never seen it. It may be in Hellas, wherever that is—or anywhere, for anything I know."
「無理。場所も知らず、見たこともない。どこか知らないヘラスか、どこかかもしれない」とメイベルはうめきました。
No one had anything kind to say, and it is pleasant to record that nobody said anything.
誰にも優しい言葉がなく、誰も何も言わなかったのは喜ばしいことです。
And now it was grey daylight, and the sky to the north was flushing in pale pink and lavender.
灰色の昼の光になり、北の空は淡いピンクと薄紫に染まりました。
The boys stood moodily, hands in pockets. Mabel and Kathleen seemed to find it impossible not to cling together,
少年たちはポケットに手を入れ、不機嫌に立ち、少女たちはしがみつかずにいられませんでした。
and all about their legs the long grass was icy with dew.
脚の周りの長い草は、露で氷のようでした。
A faint sniff and a caught breath broke the silence.
かすかな鼻すすりと詰まる息が、静寂を破りました。
"Now, look here," said Gerald briskly, "I won't have it. Do you hear? Snivelling's no good at all. No, I'm not a pig. It's for your own good.
「だめだよ。聞いてる? めそめそしても無駄。意地悪じゃない、君らのためだ」とジェラルドはきびきび言いました。
Lets make a tour of the island. Perhaps there's a boat hidden somewhere among the overhanging boughs."
「島を回ろう。垂れた枝の間に舟が隠れてるかもしれない」
"How could there be?" Mabel asked.
「どうしてあるの?」とメイベル。
"Some one might have left it there, I suppose," said Gerald.
「誰かが置いたんだろう」
"But how would they have got off the island?"
「その人はどう島を出たの?」
"In another boat, of course," said Gerald; "come on."
「当然、別の舟で。来て」
Downheartedly, and quite sure that there wasn't and couldn't be any boat, the four children started to explore the island.
沈み込み、舟など絶対ないと確信しながら、四人は島を調べ始めました。
How often each one of them had dreamed of islands, how often wished to be stranded on one! Well, now they were.
何度、島を夢見て取り残されたいと願ったでしょう。今、そのとおりになりました。
Reality is sometimes quite different from dreams, and not half so nice. It was worst of all for Mabel, whose shoes and stockings were far away on the mainland.
現実は夢と全く違い、半分もよくないことがあります。靴と靴下が遠い岸にあるメイベルには最悪でした。
The coarse grass and brambles were very cruel to bare legs and feet.
粗い草とイバラが、裸の足や脚にひどく残酷でした。
They stumbled through the wood to the edge of the water, but it was impossible to keep close to the edge of the island, the branches grew too thickly.
林をつまずきながら水際へ出ましたが、枝が密集し、縁に沿って歩けませんでした。
There was a narrow, grassy path that wound in and out among the trees, and this they followed, dejected and mournful.
木々の間の細く曲がる草道を、落胆し悲しんで進みました。
Every moment made it less possible for them to hope to get back to the school-house unnoticed.
一刻ごとに、気づかれず学校へ戻る希望は減りました。
And if they were missed and beds found in their present unslept-in state—well, there would be a row of some sort, and, as Gerald said, "Farewell to liberty!"
不在と寝た跡のないベッドが知られれば、騒ぎとなり、ジェラルドの言う「自由よ、さよなら!」となるでしょう。
"Of course we can get off all right," said Gerald. "Just all shout when we see a gardener or a keeper on the mainland.
「出るのは簡単。岸に庭師や猟場番を見たら皆で叫べばいい。
But if we do, concealment is at an end and all is absolutely up!"
でも秘密は終わり、何もかもおしまいだ!」
"Yes," said everyone gloomily.
「そう」と全員、暗く言いました。
"Come, buck up!" said Gerald, the spirit of the born general beginning to reawaken in him.
「元気を出せ!」生まれつきの将軍の精神が、戻り始めました。
"We shall get out of this scrape all right, as we've got out of others; you know we shall. See, the sun's coming out.
「ほかの難局から抜けたように、今回も抜けられる。わかるだろう。ほら、日が出てきた。
You feel all right and jolly now, don't you?"
もう元気で楽しいね?」
"Yes, oh yes!" said everyone, in tones of unmixed misery.
「ええ、そうね!」全員、純粋な惨めさで答えました。
The sun was now risen, and through a deep cleft in the hills it sent a strong shaft of light straight at the island.
日が昇り、丘の深い裂け目から、強い一筋の光を島へ直接送りました。
The yellow light, almost level, struck through the stems of the trees and dazzled the children's eyes.
ほぼ水平な黄色い光が木の幹を抜け、目をくらませました。
This, with the fact that he was not looking where he was going, as Jimmy did not fail to point out later,
後でジミーが指摘したとおり、進む先も見ていなかったので、
was enough to account for what now happened to Gerald, who was leading the melancholy little procession.
悲しい小行列の先頭のジェラルドに、次のことが起きる理由は十分でした。
He stumbled, clutched at a tree-trunk, missed his clutch, and disappeared, with a yell and a clatter;
つまずき、幹につかまろうとして外し、叫びと物音とともに消えました。
and Mabel, who came next, only pulled herself up just in time not to fall down a steep flight of moss-grown steps
次のメイベルは、苔の生えた急な階段へ落ちる寸前で止まりました。
that seemed to open suddenly in the ground at her feet.
足元の地面に突然開いたような階段でした。
"Oh, Gerald!" she called down the steps: "are you hurt?"
「ジェラルド、けがは?」と下へ呼びました。
"No," said Gerald, out of sight and crossly, for he was hurt, rather severely; "it's steps, and there's a passage."
「してない。階段と通路だ」姿の見えないジェラルドは不機嫌でした。実はかなり痛めていました。
"There always is," said Jimmy.
「いつも通路があるね」とジミー。
"I knew there was a passage," said Mabel; "it goes under the water and comes out at the Temple of Flora.
「知ってた。水の下を通って神殿へ出るの。
Even the gardeners know that, but they won't go down, for fear of snakes."
庭師も知ってるけど、蛇が怖くて入らないわ」とメイベル。
"Then we can get out that way—I do think you might have said so," Gerald's voice came up to say.
「じゃあ出られる。言ってくれてもよかったのに」と声が上がりました。
"I didn't think of it," said Mabel. "At least—— And I suppose it goes past the place where the Ugly-Wugly found its good hotel."
「思いつかなかった。少なくとも――あの人形がホテルを見つけた所を通るんでしょうね」
"I'm not going," said Kathleen positively, "not in the dark, I'm not. So I tell you!"
「暗い所には絶対行かない」とキャスリーンは断言しました。
"Very well, baby," said Gerald sternly, and his head appeared from below very suddenly through interlacing brambles. "No one asked you to go in the dark.
「いいよ、赤ちゃん」厳しく言い、絡むイバラから顔を出しました。「暗闇を行けとは言ってない。
We'll leave you here if you like, and return and rescue you with a boat. Jimmy, the bicycle lamp!" He reached up a hand for it.
残りたければ舟で助けに戻る。ジミー、ランプ!」手を伸ばしました。
Jimmy produced from his bosom, the place where lamps are always kept in fairy stories—see Aladdin and others—a bicycle lamp.
ジミーは、アラジンなどのおとぎ話でいつもランプを置く胸元から、自転車のランプを出しました。
"We brought it," he explained, "so as not to break our shins over bits of long Mabel among the rhododendrons."
「シャクナゲで長いメイベルに足をぶつけないよう持ってきたんだ」
"Now," said Gerald very firmly, striking a match and opening the thick, rounded glass front of the bicycle lamp,
マッチを擦り、厚く丸いガラスの前を開け、ジェラルドはとてもきっぱり言いました。
"I don't know what the rest of you are going to do, but I'm going down these steps and along this passage.
「みんなは知らないけど、僕は階段を下り、通路を進む。
If we find the good hotel—well, a good hotel never hurt any one yet."
よいホテルがあっても、よいホテルで害を受ける人はいないさ」
"It's no good, you know," said Jimmy weakly; "you know jolly well you can't get out of that Temple of Flora door, even if you get to it."
「無駄だよ。着いてもあの扉から出られないのは知ってるだろう」とジミーは弱々しく言いました。
"I don't know," said Gerald, still brisk and commander-like; "there's a secret spring inside that door most likely. We hadn't a lamp last time to look for it, remember."
「わからない。内側に隠しばねがあるだろう。前は探すランプがなかった」と、司令官らしく答えました。
"If there's one thing I do hate it's under-groundness," said Mabel.
「一番嫌いなのが地下なの」とメイベル。
"You're not a coward," said Gerald, with what is known as diplomacy. "You're brave, Mabel. Don't I know it! You hold Jimmy's hand and I'll hold Cathy's. Now then."
「臆病じゃない。勇敢だと知ってる。ジミーの手を握って。僕はキャシーの手を握る」と外交術でジェラルド。
"I won't have my hand held," said Jimmy, of course. "I'm not a kid."
「手なんか握らない。子供じゃない」と当然ジミー。
"Well, Cathy will. Poor little Cathy! Nice brother Jerry'll hold poor Cathy's hand."
「キャシーは握るさ。かわいそうな小さい子。優しい兄が手を握ってあげる」
Gerald's bitter sarcasm missed fire here, for Cathy gratefully caught the hand he held out in mockery. She was too miserable to read his mood, as she mostly did.
皮肉は不発でした。キャシーはからかって出した手を感謝して握りました。惨めすぎて、いつものように気分を読めなかったのです。
"Oh, thank you, Jerry dear," she said gratefully; "you are a dear, and I will try not to be frightened."
「ありがとう、優しいジェリー。怖がらないようにするわ」と感謝しました。
And for quite a minute Gerald shamedly felt that he had not been quite, quite kind.
丸一分、ジェラルドはあまり優しくなかったと恥じました。
So now, leaving the growing goldness of the sunrise, the four went down the stone steps that led to the underground and underwater passage,
深まる朝日の金色を離れ、地下と水中の通路へ続く石段を下りました。
and everything seemed to grow dark and then to grow into a poor pretence of light again,
すべて暗くなり、それから貧弱な光のまねごとになりました。
as the splendour of dawn gave place to the small dogged lighting of the bicycle lamp.
壮麗な夜明けに、ランプの小さく頑固な光が代わったのです。
The steps did indeed lead to a passage, the beginnings of it choked with the drifted dead leaves of many old autumns.
階段は通路へ続き、入口は何年もの秋から吹き寄せた枯れ葉で詰まっていました。
But presently the passage took a turn, there were more steps, down, down,
やがて曲がり、さらに階段を下へ、下へ。
and then the passage was empty and straight—lined above and below and on each side with slabs of marble, very clear and clean.
そして空でまっすぐな通路。上下も両側も、とても明るく清潔な大理石板でした。
Gerald held Cathy's hand with more of kindness and less of exasperation than he had supposed possible.
予想以上に優しく、苛立ち少なく、ジェラルドは妹の手を握りました。
And Cathy, on her part, was surprised to find it possible to be so much less frightened than she expected.
キャシーも、予想よりずっと怖くないことに驚きました。
The flame of the bull'seye threw ahead a soft circle of misty light—the children followed it silently.
集光ランプが柔らかな霧の光の輪を前へ投げ、黙って続きました。
Till, silently and suddenly, the light of the bull's-eye behaved as the flame of a candle does when you take it out into the sunlight to light a bonfire,
突然静かに、その光は、たき火をつけるため日なたへ出したろうそくの炎のようになりました。
or explode a train of gunpowder, or what not. Because now, with feelings mixed indeed, of wonder, and interest, and awe, but no fear,
火薬の列を爆発させるときなどのように。驚き、興味、畏敬が混じり、恐怖はなく、
the children found themselves in a great hall, whose arched roof was held up by two rows of round pillars, and whose every corner was filled with a soft, searching,
大広間にいました。丸柱の二列がアーチ屋根を支え、隅々まで柔らかで美しく、くまなく届く、
lovely light, filling every cranny, as water fills the rocky secrecies of hidden sea-caves.
光で満ちていました。水が隠れた海の洞窟の岩の秘密を満たすように。
"How beautiful!" Kathleen whispered, breathing hard into the tickled ear of her brother, and Mabel caught the hand of Jimmy and whispered,
「きれい!」兄の耳をくすぐる息でキャスリーンはささやき、メイベルもジミーの手をとり、
"I must hold your hand—I must hold on to something silly, or I shan't believe it's real."
「手を握らなきゃ。ばかみたいなものにつかまらないと、本当だと信じられない」と言いました。
For this hall in which the children found themselves was the most beautiful place in the world.
ここは世界で最も美しい場所でした。
I won't describe it, because it does not look the same to any two people,
説明はしません。二人として同じに見えないので、
and you wouldn't understand me if I tried to tell you how it looked to any one of these four. But to each it seemed the most perfect thing possible.
四人の誰にどう見えたか話してもわからないでしょう。ただ、誰にも可能な限り完璧に思えました。
I will only say that all round it were great arches. Kathleen saw them as Moorish, Mabel as Tudor, Gerald as Norman, and Jimmy as Churchwarden Gothic.
周囲に大アーチがあったとだけ言います。キャスリーンにはムーア、メイベルにはチューダー、ジェラルドにはノルマン、ジミーには教会管理人風ゴシックでした。
(If you don't know what these are, ask your uncle who collects brasses, and he will explain,
(知らなければ、真鍮の記念碑を集めるおじさんに聞けば教えてくれます。
or perhaps Mr. Millar will draw the different kinds of arches for you.) And through these arches one could see many things—oh! but many things.
あるいはミラー氏が種類ごとに描くでしょう。)向こうにはたくさんのもの。ああ、本当にたくさん!
Through one appeared an olive garden, and in it two lovers who held each other's hands, under an Italian moon;
一つはオリーブ園で、イタリアの月の下、恋人二人が手を握っていました。
through another a wild sea, and a ship to whom the wild, racing sea was slave.
別の一つは荒海と、激しく走る海を従える船。
A third showed a king on his throne, his courtiers obsequious about him;
三つ目は玉座の王とへつらって囲む廷臣。
and yet a fourth showed a really good hotel, with the respectable Ugly-Wugly sunning himself on the front doorsteps. There was a mother, bending over a wooden cradle.
四つ目は本当によいホテル。玄関の階段で、立派なアグリー・ワグリーが日向ぼっこしていました。木のゆりかごへかがむ母もいました。
There was an artist gazing entranced on the picture his wet brush seemed to have that moment completed,
濡れた筆で今仕上げたらしい絵を、うっとり見つめる画家、
a general dying on a field where Victory had planted the standard he loved, and these things were not pictures, but the truest truths, alive, and, as anyone could see,
勝利が愛する旗を立てた戦場で死ぬ将軍。絵でなく、最も真実な真実で、生きていて、誰にもわかるように、
immortal.
不滅でした。
Many other pictures there were that these arches framed. And all showed some moment when life had sprung to fire and flower—the best that the soul of man could ask
ほかにも多くの絵。すべて人生が火と花に跳ねた瞬間――魂が求めうる最良、
or man's destiny grant. And the really good hotel had its place here too,
運命が与えうる最良――でした。本当によいホテルも場所がありました。
because there are some souls that ask no higher thing of life than "a really good hotel."
人生に「本当によいホテル」以上を求めない魂もあるからです。
"Oh, I am glad we came; I am, I am!" Kathleen murmured, and held fast to her brother's hand.
「来てよかった、本当に!」キャスリーンはつぶやき、兄の手を固く握りました。
They went slowly up the hall, the ineffectual bull'seye, held by Jimmy, very crooked indeed, showing almost as a shadow in this big, glorious light.
ゆっくり進みました。ジミーが大きく傾けて持つランプは、壮麗な光の中で、ほとんど影に見えました。
And then, when the hall's end was almost reached, the children saw where the light came from.
終わりに近づくと、光の出所がわかりました。
It glowed and spread itself from one place, and in that place stood the one statue that Mabel "did not know where to find"—the statue of Psyche.
一か所から輝き広がり、そこには「見つけ方を知らない」唯一の像、プシュケーが立っていました。
They went on, slowly, quite happy, quite bewildered. And when they came close to Psyche they saw that on her raised hand the ring showed dark.
幸せで戸惑いながらゆっくり進み、近づくと上げた手に暗い指輪が見えました。
Gerald let go Kathleen's hand, put his foot on the pediment, his knee on the pedestal. He stood up, dark and human, beside the white girl with the butterfly wings.
妹の手を離し、足を基部、ひざを台座に置き、ジェラルドは蝶の翼の白い少女のそばに、暗い人間の姿を立たせました。
"I do hope you don't mind," he said, and drew the ring off very gently. Then, as he dropped to the ground, "Not here," he said.
「嫌でなければいいけど」と優しく指輪を抜き、下りると、「ここではだめ」と言いました。
"I don't know why, but not here."
「なぜか知らないけど、ここでは」
And they all passed behind the white Psyche, and once more the bicycle lamp seemed suddenly to come to life again as Gerald held it in front of him,
皆が白いプシュケーの後ろへ回り、ジェラルドが前に持つと、ランプは突然また命を得たようになり、
to be the pioneer in the dark passage that led from the Hall of ——, but they did not know, then, what it was the Hall of.
――の広間から続く暗い通路の先導となりました。何の広間か、当時は知りませんでした。
Then, as the twisting passage shut in on them with a darkness that pressed close against the little light of the bicycle lamp, Kathleen said, "Give me the ring.
曲がる通路の闇が小さな光へ迫ると、「指輪を貸して」とキャスリーン。
I know exactly what to say."
「何と言えばいいか、正確にわかる」
Gerald gave it with not extreme readiness.
あまり進んでは渡しませんでした。
"I wish," said Kathleen slowly, "that no one at home may know that we've been out to-night, and I wish we were safe in our own beds, undressed,
「家の誰にも、今夜外へ出たことがわからず、私たちが無事、自分のベッドで服を脱ぎ、
and in our nightgowns, and asleep."
寝間着を着て、眠っていますように」とゆっくり願いました。
And the next thing any of them knew, it was good, strong, ordinary daylight—not just sunrise, but the kind of daylight you are used to being called in,
次に気づくと、しっかりした普通の昼光。日の出でなく、いつも起こされる種類の光で、
and all were in their own beds. Kathleen had framed the wish most sensibly.
全員、自分のベッドにいました。キャスリーンは賢く願いを組み立てたのです。
The only mistake had been in saying "in our own beds," because, of course, Mabel's own bed was at Yalding Towers,
唯一の間違いは「自分のベッド」。メイベルのベッドは、当然タワーズにありました。
and to this day Mabel's drab-haired aunt cannot understand how Mabel, who was staying the night with that child in the town she was so taken up with,
地味な髪のおばは、町のあれほど仲のよい子の家に泊まったメイベルが、
hadn't come home at eleven, when the aunt locked up, and yet she was in her bed in the morning.
十一時に戸締まりしたときは帰らず、朝はベッドにいた理由を、今も理解できません。
For though not a clever woman, she was not stupid enough to be able to believe any one of the eleven fancy explanations
賢い女性ではなくても、混乱したメイベルが朝の間に出した十一の空想的説明のどれかを、
which the distracted Mabel offered in the course of the morning.
信じるほど愚かではありませんでした。
The first (which makes twelve) of these explanations was The Truth, and of course the aunt was far too clever to believe That!
最初の説明(これで十二)は真実でした。もちろん、それを信じるには、あまりに賢すぎました!

出典 (Source):
原文:Project Gutenberg — The Enchanted Castle, E. Nesbit
朗読:LibriVox — The Enchanted Castle(Peter Eastman版)

英語原文と、新しく作成した日本語訳を掲載しています。

魔法の城

『魔法の城』英文/和訳 第9章 『魔法の城』英文/和訳 第11章